Track 2 - It Came Upon A Midnight Clear

Track 1 - Grandfather's Clock

Track 1 - RagAdeliTa

Warm up your Holidays with this classy collection of Seasonal Instrumentals.  Tony Williamson on Mandolin, Robbie Link on Bass, and Michael on Guitar. Produced by Tony w/ Tim Austin at   Doobie  Shea Studios   SWINGIN' CHRISTMAS FUN

Michael & Friends in Concert.  This Live Performance CD features Michael, Tony and Robbie with the addition of MikeWillis on Harp and Vibraphone.  Michael plays
Guitars, Banjo, Dobro.
JAZZY-RAGTIME FEAST

Most recent CD features bluesman Paul Roberts and Michael with some tasty "Orleans-Style" duos; Plus Michael presents 5 new solo arrangements.  A cool mix of jazz, blues, and ragtime with Michael's signature
"Spanish-Flair"

 

Track 6 - Rasul 1

 

Michael and Paul at Aunt Millie's
in Downtown Milton

 

Track 1 - Cuban Lullaby (Drume Negrita)

 

 

 

 

 

Michael Thompson's Musical Sojourn

 

Down South, at the 1974 Union Grove Music Festival, a young "fingerpicker" took first prize with a dazzling rendition of Scott Joplin's "Maple Leaf Rag," showcasing what many would simply define as Travis-style guitar. Already, Michael had become a musical Huck Finn of sorts, exploring ragtime, Delta and Piedmont Blues, mystical folk melodies, and the uptown swing of Duke Ellington. However, one would quickly detect in the repertoire of intricate arrangements and chops that highlighted his tenure as North Carolina 's longest running "artist in residence" deeper influences.

 

     Classically trained by Jesus Silva, a student of Andres Segovia; and as UNC-Chapel Hill's first guitar major, his affection for music of older worlds and times would lead him far from his native home. The Sleepy Gypsy showcases what is both a departure from the familiar and a return to his creative source: musical sketches from his land of dreamy dreams.

 

 

 

 

Michael & Friends --Left to right: Dan Wolber , Bob Hedrick, Michael, and Tony Williamson

 

 

In another decade the gypsy would be walking the streets of New Orleans , waiting to board a three year stint on the Mississippi Queen Riverboat. This confluence of influence is magically evident in the choruses of "Sweet Lorraine " where the whole band goes to work on a single guitar.  And even further south, after excursions into the islands and across the Gulf of Mexico, the eclectic journey continues with an Afro-Cuban lullaby and folk songs that bring us rich tonalities from other latitudes--refreshing attitudes. Hey Paracho Joe, what are you doing with that guitar in your hand ?

 

                

… And when night falls, who knows where the gypsy sleeps ? 

                           But when he awakes…

 

 

 

 Contact Michael@FarmJazz.com